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My Friend Sancho

My first book, My Friend Sancho, was published in May 2009, and went on to become the biggest selling debut novel released that year in India. It is a contemporary love story set in Mumbai, and had earlier been longlisted for the Man Asian Literary Prize 2008. To learn more about the book, click here.


If you're interested, do join the Facebook group for My Friend Sancho


Click here for more about my publisher, Hachette India.


My posts on India Uncut about My Friend Sancho can be found here.


Bastiat Prize 2007 Winner

Recent entries

I’m All In: Confessions of a Poker Obsessive

This personal essay by me appears in the winter edition of Forbes Life India. I feel the ground sway…

‘No Touching, Only Seeing, Okay?’

I’m amazed that India hasn’t yet woken up to the fact that Himesh Reshammiya is the new Govinda. I…

Vishwa Bandhu Gupta and Cloud Computing

If you thought Ponytail’s speech the other day was funny, wait till you see this: Vishwa Bandhu Gupta, former…

The Sadness of Dogs

The New York Times reports: A video of a dog apparently mourning the death of his owner at a…

‘That is Not a Lump, Mr Beck, It is a Blessing’

Huffington Post reports: Glenn Beck called Hurricane Irene a “blessing” on his Friday radio show, saying it would teach…

16 April, 2008

Alzheimer’s Tales

The line of the day comes from Jai Arjun Singh, who writes about U, Me aur Hum:

This is two bad movies for the price of one.

Total VFM for Bollywood fans, in other words. Read his full review; I don’t think I’ll be watching the film now.

The greatest narrative involving Alzheimer’s, by the way, surely has to be Alice Munro’s masterpiece, “The Bear Came Over the Mountain.” I read it for the first time recently in an anthology of love stories put together by Jeffrey Eugenides, and agree with his description of it as “nearly impossibly good.” I’ve never read a short story that has moved me so much—or been so instructive about the art of writing. It’s a pitch-perfect story, right from the way she introduces the characters in that brief first section, to the dialogue-writing and understated story-telling, to the way she wraps it up. (The New Yorker version of the story is subtly, very subtly, different from the one in the book, and even that was instructive for me—one of the things that blew me away when I read it in the book, the absence of quotation marks in just one very apt piece of direct quotation in the story, isn’t there in the magazine version.)

It’s more than 11,000 words, so I suggest you go to it when you have the time, and read it slowly.

PS: And oh, Munro’s story was made into a film. I don’t think that would be up Devgan’s street, though.

Posted by Amit Varma in Arts and entertainment | IU Faves

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